Love Letter

Love Letter

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I like big words

And I cannot lie

Karin Schimke's avatar
Karin Schimke
Feb 28, 2026
∙ Paid

Hello,

It’s Love Reading Club time again. Paid subscribers to Love Letter are invited to join us on 7 March at 3pm to respond to this month’s essay at our little reading circle here in Cape Town. Sorry if you’re too far, but I’d urge to read the essay Dwelling at the Threshold by Indra Wussow anyway, because it is an expansive and stimulating read.

If you’d like to join us, please DM me your WhatsApp number so I can send the meeting details to you.

If you’d like to become a paid subscriber — even just for one month so you can join us for Love Reading Club — you can upgrade your subscription here by clicking the button below.

Love Letter is written by a real human each week. No part of my process involved using artificial intelligence. Love Letter is not an adjunct to any product. You are reading it on an advertisement-free platform. To receive new posts and to support my work, consider becoming a free or paid subscriber.


Needing the best insult

‘Pusillanimous little turd’, I called him.

Not to his face. On WhatsApp, to my friend, who had had an intellectual run-in with this man spewing (not unusually), his terrible (and dangerous) ignorance with his (usual) cocky swagger.

I’d already insulted him in various other monosyllabic, run-of-the-mill ways available to a woman who likes to swear and has low tolerance for a certain kind of intellectual arrogance, but when I’d heard how he’d backed out of the argument without conceding one millimetre to my better-read friend who had supplied the correct information, I somehow lugged ‘Pusillanimous little turd’ from the depths of my disgust.

And, whoa, was that satisfying!

Good old rock-solid Anglo-Saxon words are almost always a better choice when you’re a writer but a long and lofty sounding English word hauled up through the ages and stages from Latin or Greek, can be so pleasing in certain circumstances.

From Cy Twombly’s Bacchus series. PHOTO: Rob McKeever/Gagosian Gallery

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